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Bronze Human Figure Sculptures

Bronze Fernando Botero Style Reclining Nude Woman Modern Art Sculpture

Size: Length 1.8 m
Price: ¥41,200

Contact Us Jiangsu Xinyesheng Sculpture Co., Ltd.
Bronze Fernando Botero Style Reclining Nude Woman Modern Art Sculpture
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This bronze sculpture is a classic work in the style of Colombian artist Fernando Botero's signature 'fat aesthetic', formally titled 'Reclining Fat Woman'. With an extremely exaggerated, round, and full form, it artistically amplifies the human figure using a heavy, solid physique and a relaxed, languid posture to convey a unique interpretation of life, fullness, and diverse aesthetics. The bronze surface is antique-aged with heat coloring. Suitable as a city public art landmark; as a high-end landscape and soft furnishing piece in private art galleries and high-end hotels; and as a classic category of modern art collection.

Jiangsu Xinyesheng Sculpture Co., Ltd.
Brand Story

With a registered capital of 10 million RMB, Xinyesheng is built on a foundation of quality. Our network of cooperative factories, spanning over 8,000 square meters, enables large-scale production capacity. Bronze Fernando Botero Style Reclining Nude Woman Modern Art Sculpture for sale. Our R&D team brings over a decade of sculpture expertise to every project, while our design team drives continuous innovation and artistic breakthroughs.

We offer a complete range of services, from public space art to historical murals, balancing craftsmanship with modern innovation. As an integrated enterprise, we handle design, production, processing, logistics, installation, and after-sales—specializing in stainless steel, marble, weathering steel, and bronze sculptures, as well as memorial stonework. Custom Design Bronze Fernando Botero Style Reclining Nude Woman Modern Art Sculpture.

Leveraging robust production capabilities, we translate the "Story of Chinese Sculpture" into a global language through creativity and skill. From European squares to North American campuses, from Asian religious art to African memorials, our 13-year journey—from a small Quyang workshop to an international presence—bridges "Made in China" with the global art market. Each piece is a cross-continental artistic dialogue.

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